30 Years of Arthouse Gallery
A group exhibition of represented Artists
7-21 December 2024
Meeting, oil on hand-beaten steel, 59 x 82 cm
Collected by the Devonport Regional Gallery
Atmospheres at BETT GALLERY July 5th - July 27th 2024
For a catalogue, please contact the Bett Gallery, Hobart.
Continuum, oil on board, 36 x 240cm
Atmospheres
2024 Solo Commission
Devonport Regional Gallery
April 27 - June 10
Ravenswood Art Prize
My work Patience oil on hand-beaten steel, 71 x 48cm has been selected as a finalist in the Ravenswood Art Prize (steel plate by Gerhard Mausz)
HADLEY’S ART PRIZE
I am honoured to be a finalist in this years Hadley’s Art Prize with this work Towards Elsewhere, oil on hand-beaten steel, 51 x 57 cm (steel plate by Gerhard Mausz)
It is on at the Hadley’s Orient Hotel in Hobart till Aug. 20th 2023
Residency at Cite Internationale Des Arts, Paris
December 2022 - Feburary 2023
Arthouse Gallery
18 November - 10 December 2022
The Art Show
Radio National
Interview with Rosa Ellen in my Salamanca studio.
Upcoming Exhibition
ARTHOUSE GALLERY | NOV. 19th - DEC.10th 2022
ISLAND issue 163
Feature in current ISLAND magazine in conversation with Heather Rose.
what stays within
There is limited availability of this exhibition catalogue, please enquire at Bett Gallery or send me a email if you would like one.
What stays within
BETT GALLERY
Oct.22nd - Nov.13th 2021
Selected for the Salon des Refusés 2021
SH Ervin Gallery Sydney June 5 - Aug 15
The David Roche Foundation Adelaide Oct 9 - Dec. 11
Quiet Uncertainty
oil on hand-beaten steel
60 x 73cm
There is in this enigmatic place of memory, imagination and experience, a sense of belonging and an atmosphere of quiet uncertainty.
How do we internalize the external world?
What are the emotional resonances that emerge in the space between light and dark, depth and surface, intimacy and distance, the known and the unknown?
Which hidden aspects of self are there to be, realised, reawakened, reclaimed?
D i s a p p e a r i n g
“We are at a unique time in our life on these islands of Tasmania; forced to pause, reflect, revaluate, to consider, to reset, to look again at where we live with new eyes.
Over the last few decades Bett Gallery has explored what it means to live or have lived in this place we now call Tasmania in a series of important exhibitions including Future Perfect, South of No North and six Poets and Painters exhibitions.
It is time to again look deeply into this place.
A group of Tasmanian artists and writers were invited to join curators Carol Bett, Gerard Castles and Pete Hay to explore the idea of what it means to be Tasmanian, our island and who we are and might be as islanders at this moment in our unfolding story.”
Exhibition dates 13 -31st March
Participating artists and writers in conversation
Wednesday 24 March, 2021, 6pm - 7.30pm
$5 entry to be donated to Hobart City Mission to support those facing hardship and homelessness
Entry numbers will be COVID capped
Cusp
Arthouse Gallery
Dec. 1-19th 2020
‘Returning Light’ oil on hand beaten steel, 63 x 78cm (irregular oval shape)
Melbourne Art Fair online Viewing Rooms June 1 -7 2020
Please contact Arthouse Gallery for information
Thinness of being, oil on linen, 153 x 183cm, 2020
New work arriving at Bett Gallery December 7th 2019
please contact gallery for information
one to another, oil on linen, 123 x 153cm, 2019
New work showing at Sydney Contemporary | 12-15 September with Arthouse gallery (booth FO9)
Article featuring some of my recent work in the current issue of Artist Profile (issue 48)
Wynne Prize finalist entry currently on display at the Art gallery of New South Wales
Exhibition continues until 9 September 2019
Interlude
Oil on hand beaten steel
67 x 87cm irregular oval shape
The journey by boat to Port Davey, on Tasmania’s southwest coast, is rugged and exposed. When I finally passed the Breaksea Islands and entered the bay, the calm water and mist-filled mountains induced in me a sense of relief. In the following days of travelling though the waterways I was met with never-ending possibilities. It was the moments of pause, finding myself between one place and another that was to later become the inspiration for this painting. To me, the organic round shape of hand beaten steel, baring the marks of time and work, is a portal into a past experience.
This Talking with Painters podcast was recorded during my exhibition Shelter in Sydney at the end of November 2018. It talks about my inspirations and journey to becoming an artist.